Profile: Kenji Tanigaki

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Profile: Kenji Tanigaki

Date of birth: 13 October, 1970 (Nara, Japan)

Occupation: Action director, stunt coordinator, fight coordinator, director, stunt performer, actor, second unit director.

Biography: Kenji Tanigaki is an action director, stunt coordinator, fight coordinator, director and stunt performer. He is best known for his work with the martial arts star, Donnie Yen.

Kenji was born in Nara, near the city of Osaka, Japan. As a child, he learned gymnastics and trampolining, but says he knew he wanted to become a stunt performer after watching Jackie Chan in Drunken Master (1978). He learned Shorinji Kempo, and started to study with the martial artist and film …

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KFMG Podcast S06 Episode 77: Kenji Tanigaki

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KFMG Podcast S06 Episode 77: Kenji Tanigaki

“People want to watch something different. That’s why I just try to be myself.”

What a year it has been for the stunt coordinator, fight choreographer and second unit director, Kenji Tanigaki. Not only did he craft the action on two more Rurouni Kenshin films – called Rurouni Kenshin: The Beginning and Rurouni Kenshin: The Final, both available now on Netflix – but he also worked as second unit director and fight choreographer on the Hollywood blockbuster, Snake Eyes: G.I. Joe Origins, and helped out on the Hong Kong action hit, Raging Fire. The latter saw Kenji work again with Donnie Yen, who …

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Rurouni Kenshin: The Final (2021)

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Rurouni Kenshin: The Final (2021)

Despite the third film in this series being quite conclusively called The Legend Ends, it’s seven years later and it looks like the legend is very much not ending – instead, the series continues in the form of another two back-to-back sequels. You can say what you like about the Rurouni Kenshin films, but you can’t question their consistency: inventive, fast-paced action scenes; wacky characters; edgy, but without being too violent; political, but without anything to say; long and overwrought; and with decent performances. This fourth film is perhaps the most humourless and baggy so far, and although it is …

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Rurouni Kenshin: The Legend Ends (2014)

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Rurouni Kenshin: The Legend Ends (2014)

“The legend ends” after a bloated four-and-a-half-hours of storytelling – if you include the previous movie – highlighting how brevity is clearly not one of filmmaker Keishi Ōtomo’s strong suits. Also, despite the huge running-time, these films have been rife with plot-holes, with random characters appearing out of nowhere and things happening with little or no reason or context. This concluding chapter is probably the most effective in fully committing to its wacky manga origins, setting the scene for an all-out battle to save Tokyo from Shishiro (Tatsuya Fujiwara) – a maniacal killer-for-hire who was burned alive and is now seeking revenge – and …

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Rurouni Kenshin: Kyoto Inferno (2014)

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Rurouni Kenshin: Kyoto Inferno (2014)

Solid if ambling sequel filmed back-to-back with part three, The Legend Ends, which delivers more spirited sword-fighting and zany characters from the world of popular manga, Rurouni Kenshin. Following the events of the first film, Kenshin (Takeru Satoh) – the pacifist samurai continuing his vow not to kill – is now living a utopian existence helping Kaoru (Emi Takei) to run her dojo, hanging out with tempestuous street-brawler Sanosuke – played by Munetaka Aoki, very much enjoying his comedic foil role – who might have a thing for their doctor neighbour, Megumi (Yū Aoi). It’s pretty obvious their idyllic life …

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The Emperor’s Sword (2020)

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The Emperor’s Sword (2020)

Sumptuous, moody wuxia with a modern twist; a constantly moving, robotic arm camera used during the action sequences, and a weird, gimmicky motion-sensor technique which zooms between takes in incredibly artificial slow-motion. It’s actually quite distracting, and clearly doesn’t work. During an action scene, the camera seems to pause on completely random parts of the frame. Then there’s the shoddy visual effects used in post-production. It’s a shame, because it detracts from a film with some accomplished moments; a Hero-lite story set after the death of China’s first Emperor, Qin Shi-huang, and in the tumultuous period before the start of the …

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Profile: Daniel Bernhardt

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Profile: Daniel Bernhardt

Date of birth: 31 August, 1965 (Bern, Switzerland)

Occupation: Actor, stunt performer, model.

Style: Taekwondo, Karate, boxing, kickboxing, jiu jitsu, judo.

Biography: Daniel Bernhardt is an actor, stunt performer and martial artist, known for playing roles in Hollywood action films. He was born in Bern, Switzerland, in 1965. He has two brothers, Dirk and Cliff. He played football as a child and started training in martial arts at the age of 15; he trained in boxing, kickboxing, karate and taekwondo. After finishing high-school at the age of 16, he spent four years working his apprenticeship at an architect’s firm. He graduated at the …

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KFMG Podcast S06 Episode 76: Daniel Bernhardt

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KFMG Podcast S06 Episode 76: Daniel Bernhardt

“I’m very, very fortunate. I work with the best people in the game. And they push me – they push me hard.”

Daniel Bernhardt is a true renaissance man; a martial artist from Switzerland who went from being a professional model in Paris to a Hollywood action star. In the 1990s, he was a leading man in low-budget martial arts films – the star of slicker-than-your-average straight-to-video hits like the Bloodsport sequels, True Vengeance and Perfect Target, working alongside fellow martial artists and aspiring filmmakers like Chad Stahelski, David Leitch, Brad Martin, Jonathan Eusebio and J.J. Perry. When the video market crashed in …

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KFMG Podcast S06 Episode 75: Lee Charles / James Nunn

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KFMG Podcast S06 Episode 75: Lee Charles / James Nunn

“It’s my proudest achievement in film to date.” James Nunn

It has taken six years for director James Nunn to bring his one-take, real-time action movie to the screen. During that time, ‘one-shot’ movies like Birdman and 1917 have not only dominated at the box office, but they have also been lauded by critics. In many ways, Nunn’s intense, relentless thriller, One Shot – which is released theatrically and on VOD services in the USA on 5 November 2021 courtesy of Screen Media Films – is an even more remarkable achievement, considering its comparatively low-budget and 20-day shooting schedule (1917, by comparison, was made …

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One Shot (2021)

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One Shot (2021)

Taut, enveloping, and very well crafted ‘one-take’ action film which absolutely delivers on its real-time premise. The technique has been explored in Hollywood in recent years in the Academy Award-winning Birdman (2014) and 1917 (2019). The sheer audacity of indie filmmaker James Nunn and martial arts star Scott Adkins (who last worked together on 2016’s Eliminators) to even attempt to do a similar thing on a comparatively minuscule budget is worthy of your admiration; the fact they actually manage to pull it off is nothing short of miraculous. There are shades of Extraction star Chris Hemsworth in Adkins’ Jake Harris – …

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